Yellow Peril
Yellow Peril (sometimes Yellow Terror) was a color metaphor for race that originated in the late nineteenth century with immigration of Chinese laborers to various Western countries, notably the United States, and later associated with the Japanese during the mid 20th century, due to Japanese military expansion. The term refers to the skin color of East Asians, and the belief that the mass immigration of Asians threatened white wages and standards of living.
Many sources credit Kaiser Wilhelm II with coining the phrase "Yellow Peril" (German :gelbe Gefahr) in September 1895. The Kaiser had a portrait of this title - depicting the Archangel Michael and an allegorial Germany leading a charge against an Asiatic threat represented by a golden Buddha - hung in all ships of the Hamburg Amerika Line. It was ostensibly painted by the Kaiser himself.
In 1898, the British writer M. P. Shiel published a short story serial entitled The Empress of the Earth. The later novel edition was named The Yellow Danger. Shiel's novel centers on the murder of two German missionaries in Kiau-Tschou in 1897 and features the Chinese villain, Dr. Yen How.
The phrase "yellow peril" was common in the U.S. newspapers owned by William Randolph Hearst. It was also the title of a popular book by an influential U.S. religious figure, G.G. Rupert, who published The Yellow Peril; or, Orient vs. Occident in 1911. Based on the phrase "the kings from the East" in the Christian scriptural verse Revelation 16:12, Rupert, who believed in the doctrine of British Israelism, claimed that China, India, Japan and Korea were attacking England and the U.S., but that Jesus Christ would stop them.
Australia
The White Australia policy is a generic term used to describe a collection of historical legislation and policies, intended to restrict non-white immigration to Australia, and to promote Western European immigration, from 1901 to 1973. However, the Policy started unravelling some decades earlier than this, with reforms starting in the 1940s that encouraged non-British and non-white immigration. From 1973 onwards, the White Australia policy was legally defunct, and in 1975 the Australian Government passed the 1975 Racial Discrimination Act which made racially-based selection criteria illegal. Despite the abolition, the legacy of the purpose of White Australia Policy continues to this day in Australia in various forms.
New Zealand
The "yellow peril" was a significant part of the policy platform promoted by Richard Seddon, a populist New Zealand prime minister, in the late nineteenth century and early twentieth century. Measures designed to curb Chinese immigration included a substantial poll tax following Imperial Japan's invasion and occupation of China, which was abolished in 1944 and for which the New Zealand government has since issued a formal apology.
Yellow Peril in fiction
Fu Manchu characters
The Yellow Peril was a common theme in the fiction of the time. Perhaps most representative of this is Sax Rohmer's Fu Manchu novels. The Fu Manchu character is believed to have been patterned on the antagonist of the 1898 ''Yellow Peril'' series by British writer M. P. Shiel. ''(See above; see also M.P. Shiel).
In the late 1950s, Atlas Comics debuted the Yellow Claw, a Fu Manchu pastiche. However, a growing realization of the racist nature of the character archetype led to the villain having a handsome young Asian FBI agent, Jimmy Woo, being his principal opponent. Other characters inspired by Rohmer's Fu Manchu include Pao Tcheou.
A 1977 Doctor Who serial, The Talons of Weng-Chiang, builds a science fiction plot upon another loose Fu Manchu pastiche. In this case, the key "yellow devil" character serves to enable an ill-intentioned time traveller from the fifty-first century.
Yellow Peril: The Adventures of Sir John Weymouth-Smythe, by Richard Jaccoma (1978) is both a pastiche and a benign parody of the Sax Rohmer novels. As the title suggests, it's a distillation of the trope, focusing on the psychosexual stereotype of the seductive Asian woman as well that of the ruthless Mongol conqueror that underlies much of supposed threat to Western civilization. Written for a sophisticated modern audience, it uses the traditional use of first-person narrative to portray the nominal hero Sir John Weymouth-Smythe as simultaneously a lecher and a prude, torn between his desires and Victorian sensibilities but unable to acknowledge, much less resolve, his conflicted impulses. The cover blurbs for the paperback edition declaim "Erotic adventure in the style of the original 'pulps'" and "'A Porno-Fairytale-Occult-Thriller!' —Village Voice." It is clearly in the same line as the contemporaneous works of Philip José Farmer, "updating" Rohmer the way Farmer updated Edgar Rice Burroughs, Lester Dent and Walter B. Gibson.
Others
The "Yellow Peril" was a frequent theme of pulp fiction in the early twentieth century. The Swedish author Sven Lindqvist has pointed out that several science fiction novels from the time depicting cataclysmic clashes of civilizations take particular relish in describing the ultimate defeat of the Chinese, as compared to Africans or communists.
Jack London's 1914 story The Unparalleled Invasion, taking place in a fictional 1975, described a China with an ever-increasing population taking over and colonising its neighbors, with the intention of eventually taking over the entire Earth. Thereupon the nations of the West open biological warfare and bombard China with dozens of the most infectious diseases - among them smallpox, yellow fever, cholera, and Black Death — with all Chinese attempting to flee being shot down by armies and navies massed around their country's land and sea borders, and the few survivors of the plague invariably put to death by "mopping up" expeditions entering China.
This genocide, described in considerable detail, is throughout the book described as justified and "the only possible solution to the Chinese problem", and nowhere is there mentioned any objection to it. The terms "Yellow Race", "Yellow crowds in streets", "yellow faces" and the like are frequently repeated throughout the story. It ends with the edifying spectacle of "The Sanitation of China" and its re-settlement by Western settlers, "the democratic American programme" as London puts it.
Philip Francis Nowlan's novella Armageddon 2419 A.D., which first appeared in the August 1928 and was the start of the long-lasting popular Buck Rogers series, depicted a future America which had been occupied and colonised by cruel invaders from China, which the hero and his friends proceed to fight and kill wholesale.
Pulp author Arthur J. Burks contributed a series of eleven short stories to All Detective Magazine (1933-34) featuring detective, Dorus Noel, in conflict with a variety of sinister operators in Manhattan's Chinatown.
Robert A. Heinlein's novel Sixth Column depicts American resistance to an invasion by a blatantly racist and genocidally cruel "PanAsian" empire.
H. P. Lovecraft was in constant fear of Asiatic culture engulfing the world and a few of his stories reflect this, such as The Horror At Red Hook, where "slant-eyed immigrants practice nameless rites in honor of heathen gods by the light of the moon", and He, where the protagonist is given a glimpse of the future - the "yellow men" have conquered the world, and now dance to their drums over the ruins of the white man.
Yellow Peril is a book by Wang Lixiong, written under the pseudonym Bao Mi, about a civil war in the People's Republic of China that becomes a nuclear exchange and soon engulfs the world, causing World War III. It's notable for Wang Lixiong's politics, as a Chinese dissident and outspoken activist; its publication following the Tiananmen Square protests of 1989; and its popularity due to bootleg distribution across China even when the book was banned by the Communist Party of China.
The Yellow Peril is the nickname of Vault (sculpture), a controversial public art sculpture by Ron Robertson-Swann, in Melbourne, Australia.
In A Separate Peace by John Knowles, Phineas and Gene decide that Brinker is Madame Chiang Kai-shek, and is therefore Chinese. They nickname him Yellow Peril.
"Yellow Peril" is also the name of a song written and performed by Steely Dan founders Donald Fagen and Walter Becker before the first Steely Dan album, later released on various anthologies such as "Becker and Fagen: The Early Years." The song includes various Asian motifs and references predating later Steely Dan and related works such as "Bodhisattva", "Aja" and "Green Flower Street."
"Yellow Peril" is also the nickname of a book named "Extrapolation, Interpolation and Smoothing of Stationary Time Series with Engineering Applications" MIT Press.The author is Norbert Wiener, an American theoretical and applied mathematician. The book is originally classified, finally published in 1949. the 1942 version of this monograph was nicknamed "the yellow peril" because of the color of the cover and the difficulty of the subject.
Translation of "Yellow Peril"
German: Gelbe Gefahr, French: Péril jaune, Japanese: 黄禍論, Polish: Żółte niebezpieczeństwo, Russian: Жёлтая опасность, Swedish: Gula faran, Cantonese: 黃禍, Chinese: 黄祸.
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